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Canaletto
View of the Bacino di San Marco (St Mark s Basin)
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ID: 05612
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Canaletto
Italian Rococo Era Painter, 1697-1768
Italian painter, etcher and draughtsman. He was the most distinguished Italian view painter of the 18th century. Apart from ten years spent in England he lived in Venice, and his fame rests above all on his views (vedute) of that city; some of these are purely topographical, others include festivals or ceremonial events. He also painted imaginary views (capriccios), although the demarcation between the real and the invented is never quite clearcut: his imaginary views often include realistically depicted elements, though in unexpected surroundings, and in a sense even his Venetian vedute are imaginary. He never merely re-created reality. He was highly successful with the English, helped in this by the British connoisseur JOSEPH SMITH, whose own large collection of Canaletto works was sold to King George III in 1762. The British Royal Collection has the largest group of his paintings and drawings. Related Paintings of Canaletto :. | The Bucintore Returning to the Molo on Ascension Day | The Feast Day of St Roch | Noli me Tangere fdgd | Piazza San Marco, Looking toward San Geminiano df | Il Canal Grande da campo S Vio (mk21) | Related Artists: Louise Jopling (16 November 1843 - 19 November 1933) was an English painter of the Victorian era, and one of the most prominent women artists of her generation.
Louise Goode was born in Manchester, fifth child of railway contractor T. S. Goode. She married at seventeen to civil servant Frank Romer. The Baroness de Rothschild, a connection of Romer's, encouraged Louise to pursue and develop her art. In the later 1860s she studied in Paris with Charles Joshua Chaplin and Alfred Stevens, and first exhibited her work at the Salon. She entered works into the Royal Academy shows, 1870-73 (as Louise Romer). Ernst Gustav Doerellpainted A View of the Doubravka from the Teplice Chateau Park in 1832 - 1877 J.S.SargentAmerican
1856-1925
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All the Edouard Vuillard's Oil Paintings
Supported by oil paintings and picture frames
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